Punch Drunk Love is a kind of movie we are all familiar with, but also one that is unlike any other. The initial shot of this movie makes director Paul Thomas Anderson’s vision clear: he aims to show us something we could not have seen otherwise. It is through his craft that the audience is treated to a subversion of the romantic comedy—a genre of film riddled with clichés. PDL is special because it is made up of things we are used to seeing and flips them on their head. This subversion of components generates something entirely different: a beautiful, intimate experience that demands that we change what we ask for from these kinds of movies.
Downtown Toronto is a paragon of late night, big city affairs. The ROM stands an eight-minute subway ride away from the CN Tower. Toronto’s extending crowds lead into the University of Toronto’s Varsity Centre and the Royal Conservatory of Music, across the street from the slimmer crowds of young adults and teens equipped with fake IDs entering their selected bars for the night. The Bloor-Yonge intersection lies just a few blocks east. Turning south on Yonge reveals a different sense of a big city: one of detachment and poverty, wonderfully depicted within the Yonge-Charles McDonald’s.
As far as individual books go, controversy is normal and often welcomed. In terms of disagreement on entire genres, however, one category up for discussion is that of self-help literature. These types of books have been around for over a century, even if they seem to be a relatively modern occurrence, and their popularity has been on the rise. In 2018, sales of self-help books in Britain were up 20% from the previous year, landing at a solid three million books sold. Celebrities have even gotten in on the business, with Russell Brand and Fearne Cotton having written and published their own books. It is estimated that the genre will be worth 13.2 billion dollars in the US market by 2022.
On January 17th, Marshall Mathers — aka Eminem — quietly released his 10th major-label album, entitled Music to Be Murdered By. The title and cover image are a nod to Alfred Hitchcock’s eponymous work from 1958, and the “Alfred” interlude and outro are the famed director’s orated introduction and closing from his own album. But Eminem didn’t use the theme to make a concept album. Instead, with production by Dr. Dre, Tay Keith, and D.A. Doman, among others, the 64-minute album has Eminem performing a balancing act that invokes his crude alter ego — Slim Shady — with rabid foolishness. It has him rapping alongside younger artists such as Juice WRLD (in his first posthumous musical appearance) and Young M.A, all while still trying to provoke nostalgia by emulating his D12-era self and sharing the scene with established rappers like Black Thought and Royce Da 5’9”. Unfortunately, for a body of work that takes its title from the so-called “King of Suspense,” the album leaves the listener largely unmoved.
Circles is Mac Miller’s first, and likely only posthumous release. The album comes seventeen months after the singer/rapper was found dead in his home from an apparent drug overdose. His death sent shockwaves throughout the hip-hop and music communities at large.
While people may say, “oh, it’s nothing, anybody could do it,” that doesn’t mean it’s easy to do or understand. Like flying a plane, knowing how to write well takes more than knowing the function of the buttons at your disposal. Yes, it’s helpful and possibly important to know the descriptive elements of visual art or the narrative flow of classical music when it comes to writing, but it is not enough to make one’s writing great.