One
“What are the colours of your body?” She asks me.
As if she cannot see for herself what I am.
As if she cannot believe her eyes.
Tar-sands-brown,
I tell her,
over a cup of three-quarters-of-a-person-black-coffee.
Grapefruit-topped-with-too-much-sugar lips,
I tell her.
Land-so-fertile-they-killed-all-of-our-children-eyes,
I tell her.
Men-that-killed-my-family-teeth,
I tell her,
so that every time I smile,
I am baring a pearly-white-grin of death.
Two
“Where are your colours from?” She asks me.
As if I bought the shades of my body in tubes of oil paint,
as if I mixed them on the palette myself.
Here!
I tell her.
These are all of my colours,
organized by name,
reverse alphabetically;
just how you like it.
Za’atar Mixed with Olive Oil in My Sixth Grade Lunch,
I tell her,
Newspaper Articles from September 12th , 2001,
I tell her,
Crude Nests of Shamefully Untameable Hair,
I tell her,
my colours are not all of me,
I tell her,
excuse me while I hide them away,
I tell her,
I know you hate to be reminded of what I am,
I tell her,
I’m sorry.
Three
“Its just hair!” She tells me.
As if it is just hair when you are Samaraie brown.
When you try not to take up space
but your own body defies you, brown.
When you try to be proud
but your own momma betrays you, brown.
Sits you down
on the world’s most uncomfortable chair,
and yanks at your hair
until your eyes grow rivers,
until your gentle sand dune waves
become burnt stalks of wheat falling from the crown of your head,
Colonized-
like-the-land-we-stand-on-brown,
I try to tell her.
We are all connected
but we are not all the same,
I try to tell her,
you cannot make a home out of me
just because you want to be
an explorer.
Four
“Where does your body come from?” She asks me.
As if having a body means having a place to belong,
As if I cannot have one without the other.
How do I tell her?
How do I tell her
that I am not from a home but home itself?
How do I tell her
that my parents stole away pieces of the
brown-brown-molasses-sun-sand-date-palm-dirt
and mixed it,
with
the rubble that used to be home,
the screams that used to be laughter,
the fear that used to be love?
How do I tell her
that I am all curved dagger nails and acid rain tears?
How do I tell her
that my body
was the only remnant of the land,
that the land is the only remnant of me.
Five
How do I tell her
that this is all that I am?
Eroded-by-years-of-war-brown.
Terrified-to-look-a-girl-in-the-eyes
in-case-we-fall-in-love-brown.
How do I tell her
that I am always afraid?
She’s never cared enough to ask,
but the colour of my fear is
“We-did-not-raise-you-to-be-like-this-brown,
Muslim-girls-don’t-fall-in-love-with-other-girls-brown,
What-did-this-family-ever-do-to-you-brown.”
The colour of my fear
is sugar-that-I-pour-into-my-chai-brown,
gahwa-so-bitter-you-cough-it-all-back-up-brown.
The colour of my fear
is the colour of my home.
And my home
is my fear,
and my fear
is all that I have to return to.
Six
How do I tell her
that my fear is not my own?
That it flows into the river of a past I have not lived,
that it was given to me,
in the small room where my father told me
“There is no room for you to be a little girl,
you must carry the weight of the brown on your shoulders,
until it becomes but an extension of your body.”
Seven
“What is yours then?” She asks.
“If you do not have yourself, then what do you have?”
Just the seven-like-the-years-since-my-father-left-scars,
I tell her.
He gave me all this brown,
and a body I cannot return to,
and now I have nothing else.
Nahar Amargi
is an Iraqi storyteller growing into themselves in Tkoronto. In between planning the revolution and watering their plants, they love talking to people on instagram @dreamsofigs.