On January 17th, Marshall Mathers — aka Eminem — quietly released his 10th major-label album, entitled Music to Be Murdered By. The title and cover image are a nod to Alfred Hitchcock’s eponymous work from 1958, and the “Alfred” interlude and outro are the famed director’s orated introduction and closing from his own album. But Eminem didn’t use the theme to make a concept album. Instead, with production by Dr. Dre, Tay Keith, and D.A. Doman, among others, the 64-minute album has Eminem performing a balancing act that invokes his crude alter ego — Slim Shady — with rabid foolishness. It has him rapping alongside younger artists such as Juice WRLD (in his first posthumous musical appearance) and Young M.A, all while still trying to provoke nostalgia by emulating his D12-era self and sharing the scene with established rappers like Black Thought and Royce Da 5’9”. Unfortunately, for a body of work that takes its title from the so-called “King of Suspense,” the album leaves the listener largely unmoved.
Circles is Mac Miller’s first, and likely only posthumous release. The album comes seventeen months after the singer/rapper was found dead in his home from an apparent drug overdose. His death sent shockwaves throughout the hip-hop and music communities at large.
While people may say, “oh, it’s nothing, anybody could do it,” that doesn’t mean it’s easy to do or understand. Like flying a plane, knowing how to write well takes more than knowing the function of the buttons at your disposal. Yes, it’s helpful and possibly important to know the descriptive elements of visual art or the narrative flow of classical music when it comes to writing, but it is not enough to make one’s writing great.
Climate disasters, endless Middle Eastern conflicts, nationalist uprisings, xenophobia, and government surveillance. Most societies today are combatting at least one of these predicaments. The increased speed at which information travels has made people aware of problems that should not be persisting in a progressive social order. Aside from being a unifier of sorts and an aid to the consolidation of voices, mass communication may have contributed to widespread cynicism, making us distrustful of the principles and norms around us.
Age of You, MOCA’s current exhibit, intends to explore what it means to be an individual in the face of accelerating technology and what it means to exist in a society in which our personal data has become the most important commodity under late capitalism.
Last summer I visited the Amalfi Coast in Italy, the last leg of my first real vacation to Europe. Time didn’t seem to move in Amalfi. I did nothing but gorge myself on pizza and pasta, and roast in the sun on a different beach each afternoon. I turned five shades darker in the span of five days. I ate pistachio gelato until I was sick.