Sitting between 150 and 200 pages (depending on the edition) with fourteen essays, Dinner on Monster Island does not overstay its welcome.
The Leftover Woman embraces a range of topics with great emotional weight, including motherhood, adoption, abuse, and the hostility of the United States to undocumented immigrants, all of which together do make a reader truly hope for a kind resolution…
June Hayward wants what Athena Liu has: a spectacular, high-flying career as an author. Despite both women coming out of Yale and releasing their debuts at about the same time, June is bitterly aware of her relative obscurity. Athena dies in a sudden accident, leaving behind her manuscript of her next novel about Chinese workers who were exploited and maltreated during the British war effort in World War One. Even in its draft form, unseen by anybody else, it is a brilliant work. June takes Athena’s manuscript and reworks some of it before presenting it as her own, published under the name “Juniper Song.” Song is a legal middle name provided by her whimsical mother. If it conveniently also suggests a Chinese background that June doesn’t have, so be it. Athena’s wild level of success is suddenly in June’s hands. As Yellowface unfolds, June proves the extent to which she is willing to lie, threaten, and bully her way into holding onto that success.
The dedication to Darren C. Demaree’s latest poetry collection, a child walks in the dark, reads simply, “For my family – ” and family, particularly fatherhood, is woven into every single poem in the book. Each work is a retelling of something Demaree’s speaker tells his children, whether his daughter, his son, or both at the same time. It would be easy to resort to vague lessons or aphorisms, but the speaker brings a moving vulnerability to every message, and turns those fragments of parenthood over to the reader.
In the blueberry fields of Maine in 1962, a four-year-old Mi’kmaq girl named Ruthie goes missing. Her family, who annually travels from Nova Scotia to Maine to harvest the berries, searches frantically for her, but no trace is found. Ruthie’s older brother Joe was the last to see her and is deeply affected for the rest of his life by her disappearance. As an adult man now suffering from terminal disease, Joe narrates much of the novel and describes how the family survives in the absence of Ruthie.