June Hayward wants what Athena Liu has: a spectacular, high-flying career as an author. Despite both women coming out of Yale and releasing their debuts at about the same time, June is bitterly aware of her relative obscurity. Athena dies in a sudden accident, leaving behind her manuscript of her next novel about Chinese workers who were exploited and maltreated during the British war effort in World War One. Even in its draft form, unseen by anybody else, it is a brilliant work. June takes Athena’s manuscript and reworks some of it before presenting it as her own, published under the name “Juniper Song.” Song is a legal middle name provided by her whimsical mother. If it conveniently also suggests a Chinese background that June doesn’t have, so be it. Athena’s wild level of success is suddenly in June’s hands. As Yellowface unfolds, June proves the extent to which she is willing to lie, threaten, and bully her way into holding onto that success.
The dedication to Darren C. Demaree’s latest poetry collection, a child walks in the dark, reads simply, “For my family – ” and family, particularly fatherhood, is woven into every single poem in the book. Each work is a retelling of something Demaree’s speaker tells his children, whether his daughter, his son, or both at the same time. It would be easy to resort to vague lessons or aphorisms, but the speaker brings a moving vulnerability to every message, and turns those fragments of parenthood over to the reader.
In the blueberry fields of Maine in 1962, a four-year-old Mi’kmaq girl named Ruthie goes missing. Her family, who annually travels from Nova Scotia to Maine to harvest the berries, searches frantically for her, but no trace is found. Ruthie’s older brother Joe was the last to see her and is deeply affected for the rest of his life by her disappearance. As an adult man now suffering from terminal disease, Joe narrates much of the novel and describes how the family survives in the absence of Ruthie.
This Is the House That Luke Built begins with Rose stepping through a wall of the house that her husband Luke was working on. He has died at sea, but through the house, Rose can temporarily see him again. Violet Browne draws on her own experience with loss and builds it into the foundations of Rose’s story as it unfolds. Despite the title and opening scene, much of the book is not about the titular house or Rose’s visits with Luke; rather, we stay close to Rose as she navigates the impact of the loss on herself and her three children, both in the immediate aftermath and over the years that follow.
A quick scan of tourism sites for Prince Edward Island brings up photographs of red sand and lighthouses, as well as the occasional image of a redheaded young girl with two braids. Nicholas Herring’s novel Some Hellish is firmly planted on that same island but could not be farther from the bright whimsy of travel advertisements or children’s book covers. It follows a middle-aged fisherman, who shares the name Herring, quietly experiencing an existential crisis of sorts while going through the motions of his daily and seasonal work.