Look Closer: The Importance of Punch Drunk Love

Punch Drunk Love is a kind of movie we are all familiar with, but also one that is unlike any other. The initial shot of this movie makes director Paul Thomas Anderson’s vision clear: he aims to show us something we could not have seen otherwise. It is through his craft that the audience is treated to a subversion of the romantic comedy—a genre of film riddled with clichés. PDL is special because it is made up of things we are used to seeing and flips them on their head. This subversion of components generates something entirely different: a beautiful, intimate experience that demands that we change what we ask for from these kinds of movies.

The Dead Sea Scrolls: Ancient Texts and Modern Forgery

For two thousand years, the Dead Sea Scrolls lay hidden. They were discovered in 1947 in the West Bank and became incredibly important artifacts for archaeologists and scholars as some of the oldest biblical texts ever discovered. Over the next several decades the various Scrolls were sold and scattered between various collectors and museums. One such museum, the Museum of the Bible in Washington, D.C., proudly displayed sixteen fragments of the Dead Sea Scrolls, until this past March, when National Geographic reported that a team of researchers had found that all of the museum’s fragments were fakes. This conclusion has important ramifications not only for the museum, but also for researchers studying the Scrolls, and for the history of Judaism and Christianity.

Entity in the Nebula

Entity in the Nebula In the nebula There is starry matter, And in that matter There are phosphorescent eyes — And within the penetrating smoky-eyed visage                            There is an...

The Age of (Now Imposed) Isolation

In this uncertain, panic-inducing period, we must remain cognizant of the truths proclaimed foreign to the naturality of our high-functioning societies. No sense can be found in gun-brandishing skirmishes over reams of toilet paper. With our technological omnipotence and post-material ethical discourses, surely we have surpassed such basal manifestations of ourselves. Yet, at this very moment, when the threat of a virus seems more a theoretical danger than a personal one, the extremity of the drive for individual preservation is once more laid bare.

The Maybes

They were trying the traffic-light system again this year. The plan was to expedite the selection process; make it easier to get a hundred-and-fifty college kids to Japan. The folders were laid out across three plastic tables they’d carried up from the cafeteria. The YES folders were green and occupied three stacks. The NO folders were red. There were too many of them for proper piles, so they were simply dumped, en masse, in bins. Maybe she was right, he thought, and they should have just kept it digital, not bothered printing it all out. The process hadn’t really worked last year either and that year they had only needed a hundred interns. This year they would have one-fifty. Maybe one-fifty-five even.

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It is only as an aesthetic phenomenon that existence and the world are eternally justified

– Friedrich Nietzsche,

Die Geburt der Tragödie aus dem Geiste der Musik

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143.1

I am fit / to chase / again

143.2

listen / I too grow an inch per year and speak to the wind

144.1

a woman who made a career as a poet / Made a career and consequently a life

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Acta Victoriana

Acta Victoriana is the literary journal of Victoria College and the longest running university student publication in Canada. Since its founding in 1878, it has maintained a legacy of artistic excellence and boasts alumni such as Margaret Atwood, George Elliot Clarke, and E. J. Pratt.

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