Punch Drunk Love is a kind of movie we are all familiar with, but also one that is unlike any other. The initial shot of this movie makes director Paul Thomas Anderson’s vision clear: he aims to show us something we could not have seen otherwise. It is through his craft that the audience is treated to a subversion of the romantic comedy—a genre of film riddled with clichés. PDL is special because it is made up of things we are used to seeing and flips them on their head. This subversion of components generates something entirely different: a beautiful, intimate experience that demands that we change what we ask for from these kinds of movies.