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Review: Petals for Armor and FLOWERS for VASES / descansos

Review: Petals for Armor and FLOWERS for VASES / descansos

“I’m not lonely, baby, I am free,” sings Hayley Williams on her debut solo album, Petals for Armor, and her relief is palpable as she hums, “Finally.” She is singing of her home and of finding peace in her daily routines, which has taken on a new meaning since the pandemic has turned our homes into workplaces, classrooms, and the site of most of our everyday activity. Williams is known best as the lead singer of the American band Paramore, which has released five studio albums since 2005, but it took Williams until 2020 for her to strike out on her own (even as she reassured fans that her solo album did not spell the end for Paramore). It’s not that Paramore has ever held her back artistically; it is simply that now, Williams embraces the opportunity to dive into a narrative that is identifiably her own.

Review: To Make a Bridge, Antonia Facciponte

Review: To Make a Bridge, Antonia Facciponte

Review: To Make a Bridge, by Antonia FacciponteJeanne Polochansky, Associate Editor To Make a Bridge by Antonia Facciponte is a collection of poems that is a recipe book, a diary, and an opera programme all wrapped up in one. It opens with a piece that commands the...

Are Shows like Bridgerton Really That Progressive?

Are Shows like Bridgerton Really That Progressive?

Are Shows like Bridgerton Really That Progressive?  Queen Charlotte was only 17 when she left her home country of Germany and moved to England to marry the British King George III. Charlotte’s ancestry has been debated by historians, with some evidence suggesting...

Martin Scorsese, To all the Boys 3, and the loss of Cinema

Martin Scorsese, To all the Boys 3, and the loss of Cinema

Martin Scorsese wrote a passionate essay published in Harper’s Magazine this month, critiquing streaming services as catalysts of the downfall of cinema as an art form. His piece acts as much as an ode to the creators, whose works he grew up watching, as it does a farewell to the medium he loves, as it succumbs further to the grip of the invisible hand amidst the pandemic. As one of the great moviemakers of our time (broadly speaking), the Wolf of Wall Street director makes several valid points. But although he specifically curses streaming platforms, I believe tech’s larger impact on society should shoulder much of the blame.

Tomayto, Tomahto: Poetic Variations on a Cultivar

Tomayto, Tomahto: Poetic Variations on a Cultivar

Tasted soups are sweet, but those untasted
Are sweeter; therefore, fair Campbell, can on!
Wine-hued to the darkling gaze, free of stain
Upon the borders crisp. Logo pasted
Tight on metal sheer, caught by steely yawn
Of factory saw to rend the gourmet pane.

The Case of Fanfiction

The Case of Fanfiction

If you’ve spent any time online interacting with popular books, movies, TV shows, or many other types of media, you have probably run across the concept of fanfiction. At its simplest, fanfiction involves taking already-established aspects of fictional universes, including characters, settings, and items, and employing them in new stories. Writers get to take the age-old question of storytelling – “What if?” – to the next level. What if Kylo Ren were a sullen closing-shift worker at a coffee shop? What if an adult Harry Potter went on a begrudging buddy-cop-style mission with his school rival? What if Sherlock Holmes – and you’d have to be specific about which incarnation of the character – had joined up with Moriarty to form a mob? Plot holes or gaps in storytelling are also creatively addressed; if a particular character wasn’t on screen, where were they and what were they doing? If they are introduced as an adult without much backstory, what was their childhood like?

Are We Living in a Dystopian Novel?

Are We Living in a Dystopian Novel?

‘Dystopian’ is often defined as “relating to or denoting an imagined state or society where there is great suffering or injustice.” To say that we are threatened by becoming this version of ‘dystopian’ would be to say that the society we live in now is not violent or full of injustice. But it is. So, under the vague dictionary definition, we are living in a dystopia. But the key word that jumps out in this definition is ‘imagined.’ For me, ‘dystopian’ conjures up images of a dark grey filter overlaying a desolated, toxic wasteland or slums full of leather-clad teenagers who team up against the gaudy, corrupt, and wealthy leaders. It’s specific, a reality that makes permanent the injustices already present in our world, taking away any possibility of progression or change. This imagined version of a dystopia isn’t quite our reality.

Is That a Snake in Your Pants, Or Are You Just Happy to See Me: Monstrous Metamorphoses and the Literature of Alienation

Is That a Snake in Your Pants, Or Are You Just Happy to See Me: Monstrous Metamorphoses and the Literature of Alienation

Human fascination with unnatural transformations is nothing new; humans have morphed into monsters all throughout literature, from werewolves to vampires, from Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde to Gabrielle-Suzanne de Villeneuve’s Beauty and the Beast. But perhaps the most famous treatment is Ovid’s Metamorphoses, a compilation of mythical changes.

Opinion: Data Brokers Are in The Mood for Love

Opinion: Data Brokers Are in The Mood for Love

Hungry, deep, and astoundingly preservative, the World Wide Web is a peat bog of private data. As the grade school Internet Safety Seminar saying goes, once it’s on the Internet, it’s there forever. While that doesn’t necessarily mean every piece of information you ever post online will come back into your life like a grotesque bog body, it does means that every time you post something online, you run the risk that it will come back into your life—like a grotesque bog body, tapping its detached femur on the drywall to the beat of YouTube comments made by a thirteen-year-old self.