‘Dystopian’ is often defined as “relating to or denoting an imagined state or society where there is great suffering or injustice.” To say that we are threatened by becoming this version of ‘dystopian’ would be to say that the society we live in now is not violent or full of injustice. But it is. So, under the vague dictionary definition, we are living in a dystopia. But the key word that jumps out in this definition is ‘imagined.’ For me, ‘dystopian’ conjures up images of a dark grey filter overlaying a desolated, toxic wasteland or slums full of leather-clad teenagers who team up against the gaudy, corrupt, and wealthy leaders. It’s specific, a reality that makes permanent the injustices already present in our world, taking away any possibility of progression or change. This imagined version of a dystopia isn’t quite our reality.
What is the literary canon? When I hear the word ‘canon,’ two things come to mind. First, I think of the true events in a book or TV show—and not part of a fanfiction—this one is left over from my Tumblr phase. The other definition conjures up an image of High School English classes, where we had to read outdated, boring books written by white men, that were usually racist and misogynistic. However, the canon as we know it has been getting some fresh new titles as time has gone on, as the demand for a more diverse set of voices rises.
The on-the-go streaming service, Quibi (short for ‘quick bites’) recently shut down, due to a lack of downloads and traction. Quibi was intended to be a ‘bite size’ streaming network with short episodes (under ten minutes each) that could be watched by commuters; and, it was only available as a mobile app. Shows on Quibi starred names like Chrissy Teigan, Chris Hemsworth, Sophie Turner, and Anna Kendrick. They had a cooking show, a true crime show, and a reality show, to name a few. They even did a remake of The Princess Bride, a cult classic (and my favorite movie), but it was all filmed from home by different actors—giving the impression of a bad Instagram sketch—while paying homage to the original cast with a sidebar on the screen.
With the American presidential election just weeks away, the importance—and the question—of voting is heavy on our minds. In the past year, the leadership of one of the most powerful and influential countries in the world has broken down. President Trump was briefed on the danger of the Corona virus in late January, and did nothing to protect the American people except imposing travel restrictions on China; and this was after he disbanded the pandemic response team set in place for exactly these kinds of outbreaks. Over 200,000 Americans have died from the virus, and many of those deaths could have been avoided if the Trump administration was more proactive, and less concerned for the economy.
Throughout our lives, women and girls are spoon-fed the genre of romance in books, movies, and television. We are told through a host of stories that our princes are out there waiting for us, and that we will all have cute love stories—with some ups and downs—but that eventually, he’ll make a grand gesture, and then we’ll walk off into the sunset together. While romance is in fact real, the romance women are led to believe will be performed by men in our society is a fabrication. ‘Chick flicks,’ or romantic movies, are at the forefront of this misleading narrative. Whether it be The Notebook, which has long been hailed as an epic love story, or a more comedic film such as Friends With Benefits, in the end, the female protagonist always falls happily in love, while the man at her side loves her intensely, and vows to be faithful to her. This is seen also in romantic novels, especially romantic Young Adult novels, catered towards girls as young as 12 and 13 years old. These stories specifically indicate that the man falls in love as well. Even if sex is at the forefront of the narrative (as it is in Friends With Benefits) said man will never be able to resist the main character’s personality, and he will end up falling for her no matter what. Even if he only views her as a possible sexual partner at first, in the end he wants her as a life partner. This narrative can lead to a lot of false hope, and not because ‘men are trash,’ and all they care about is sex.