Literature

The Validity of Self-Help: Literature Like any Other

Toward the end of a several-day hiatus from writing, I visited a bookstore for the sole purpose of perusing. I was shocked to see that “self-help” had become a section of its own, donning a few eight-foot high columns. Authors promoted anything from traditional Buddhist concepts to successful wall-street financial maneuvers to better the reader’s everyday life. I picked up and flipped through The Subtle Art of Not Giving a F*ck by Mark Manson, whom I was already somewhat familiar with, when it dawned on me. I just need to write this piece. I don’t need to actually give a “F*ck”. Motivated by a Nike-esque “just do it” mentality, I embraced the ethos of the self-help genre.

The Woman with the Cross Tattoo

On my sixteenth birthday, I ask my mother if I can get a tattoo like hers on my wrist. Raising an eyebrow at me, she responds back, like she’s done, a thousand times before,

It’s not a tattoo, she says.

Racial Diversity in Literature – What it Means and Why We Need It

“What I wanted, needed really, was to become an integral and valued part of the mosaic that I saw around me,” wrote Walter Dean Myers in a 2014 opinion piece for the New York Times, titled Where Are the People of Color in Children’s Books? He explains that when living through extremely difficult points of his life (including coping with the murder of his uncle, grief, and alcohol abuse by family members),reading books became a retreat from the world. He noted that the world he saw around him was not reflected in his reading material: “As I discovered who I was, a black teenager in a white-dominated world, I saw that these characters, these lives, were not mine.”

What do Drake and Rupi Kaur Have in Common?

What do Drake and Rupi Kaur Have in Common?

Thinking about Kaur and her success reminds me of another young, talented, Canadian artist: Drake. Both Kaur and Drizzy are among the most successful artists in their respective fields, now and of all time. Whether you like them or the genres they operate in or not, chances are you’ve heard of them. And if you look into their numbers, you’d see that their success is not a matter of opinion, it’s a fact. So, objectively speaking, they must be the best, right?

Biking in Our Land

Biking in Our Land

I stopped using the TTC when I discovered that I could bike my way through the city instead. I bike my way now through shadowy neighbourhoods, through the slips and knots of intersections. At the intersection of Bloor and Yonge, I enter the interdimensional shift of this land we call Toronto. Sacred and occupied Anishinaabe land. Sometimes you don’t claim the land, the land claims you.

Rupi Kaur and Instagram Poetry

Rupi Kaur and Instagram Poetry

With the end of 2019 came lists and awards from media outlets about the past ten years in review. Among these was the declaration by The New Republic that Rupi Kaur was their writer of the decade. Kaur, at only twenty-seven years old, is known as an “Instapoet,” and owes much of her success to her highly popular Instagram account where she publishes short poems accompanied by distinct line drawings. Kaur currently has 3.9 million followers, and her posts alternate between coloured photos—often of Kaur herself—and poems made up of black text on a white background. Social media poetry tends to follow a similar structure: aesthetic, brief, and easily digestible.

Unraveling the Queer Memoir

Unraveling the Queer Memoir

I have seen so many reviews of books which try to convince you to pick it up and read using a string of adjectives. This novel is inspiring, confident, delightful. The prose (it is always prose) is handsome, remarkable, elegant. The dialogue is crisp, witty, fit for the screen. I am always left unconvinced by this language. I want to read good books, books that could be called delightful or elegant or what have you. But what I really value in writing is its ability to engage me deeply.

Credibility and Relatability: Autobiography in the Past and Present

Credibility and Relatability: Autobiography in the Past and Present

“An autobiography is a book a person writes about his own life and it is usually full of all sorts of boring details,” wrote Roald Dahl in Boy: Tales of Childhood, in which he, rather ironically, describes his childhood and the experiences that influenced him into becoming an author. Autobiographies and memoirs have been present in literature for centuries.

Seven Scars

Seven Scars

“What are the colours of your body?” She asks me. As if she cannot see for herself what I am.

As if she cannot believe her eyes.

Join our mailing list to receive the latest posts and updates from our Acta.

You have Successfully Subscribed!

Share This