‘Dystopian’ is often defined as “relating to or denoting an imagined state or society where there is great suffering or injustice.” To say that we are threatened by becoming this version of ‘dystopian’ would be to say that the society we live in now is not violent or full of injustice. But it is. So, under the vague dictionary definition, we are living in a dystopia. But the key word that jumps out in this definition is ‘imagined.’ For me, ‘dystopian’ conjures up images of a dark grey filter overlaying a desolated, toxic wasteland or slums full of leather-clad teenagers who team up against the gaudy, corrupt, and wealthy leaders. It’s specific, a reality that makes permanent the injustices already present in our world, taking away any possibility of progression or change. This imagined version of a dystopia isn’t quite our reality.
Writing a blog post about a YouTube video should strike you as an odd choice. Isn’t this what callout or ‘response’ videos are for? I’ve even chosen an appropriately clickbait-y title! Look! I’ve hooked you, at least. But making a YouTube video and a whole YouTube channel about philosophy should strike you as even more strange. Isn’t philosophy too self-serious and academic to set foot on YouTube? Isn’t it dirtying itself by kicking around down here with the philistines? Oliver Thorn, the actor responsible for Philosophy Tube, would undoubtably say no. Thorn has been at this for 7 years. He’s been making YouTube videos through several vast changes in the culture of the internet. He has gone from hanging out in front of a bookcase chatting about Descartes to riding horseback while discussing the British monarchy and performing Platonic dialogues dealing with the politics of climate change. Costumes, makeup, and lavish sets all lend Thorn’s work polish and a district charm. Somehow, he takes the thought he engages with very seriously, but with a dash of good-humor. Though so much has changed, it’s clear the one thing has stayed the same. Thorn still believes in the value of philosophy to everyone. He would not have invested so much time and energy into this project if he did not.
The on-the-go streaming service, Quibi (short for ‘quick bites’) recently shut down, due to a lack of downloads and traction. Quibi was intended to be a ‘bite size’ streaming network with short episodes (under ten minutes each) that could be watched by commuters; and, it was only available as a mobile app. Shows on Quibi starred names like Chrissy Teigan, Chris Hemsworth, Sophie Turner, and Anna Kendrick. They had a cooking show, a true crime show, and a reality show, to name a few. They even did a remake of The Princess Bride, a cult classic (and my favorite movie), but it was all filmed from home by different actors—giving the impression of a bad Instagram sketch—while paying homage to the original cast with a sidebar on the screen.
The People’s Republic of China’s country-wide mass surveillance system has perhaps never been so prominent in the public consciousness as it is today, in a pandemic-stricken landscape where the state’s ability to track and trace citizens is instrumental to preventing the spread of Covid-19. Indeed, the ubiquity of state surveillance in China has become something of a bragging right, rather than a cause for suspicion. After all, the comprehensiveness of China’s Covid-19 prevention system is perhaps only achievable with China’s level of disregard for personal privacy and particular civil liberties.
“Can reading make you happier?” Ceridwen Dovey asks in the headline of her 2015 article for the New Yorker, where she describes her experience with bibliotherapist from the London-based School of Life. At its most basic, bibliotherapy, or book therapy, uses reading as a method of emotional and psychological support. Dovey was gifted an appointment with bibliotherapist Ella Berthoud, who sent her a questionnaire to help establish Dovey’s needs, including the question “What is preoccupying you right now?” Dovey wrote back that she was concerned about not having the “spiritual resources” to be able to weather grief when it inevitably arrived in her life. With this in mind, Berthoud sent her a list of books to help guide her through this worry.
As we find ourselves in the midst of a global pandemic, the film-festival-going crowd of the modern era may notice that the process of premiere attendnce and film submission is now out of the ordinary. We know people have to stand six feet apart, and being in a literal ‘audience’ is generally frowned upon. Even with the effects of COVID-19 in place, one must take the same steps in order to submit a film to a festival. If you were making and submitting shorts or features a couple of years ago, you would have used a website called Withoutabox to send your film, but this website is now defunct. If you submit a film to a festival now, you use FilmFreeway to connect with thousands of film festivals around the world.